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Daylight at Russell's Corners, 1944
George Ault
Amelie Rives, Princess Troubetzkoy, 1904
Pierre Troubetzkoy
(Printed by Alvin Langdon Coburn)
The Sound of the Light
I hear sheep running on the path of broken limestone
through brown curled leaves fallen early from walnut limbs
at the end of a summer how light the bony
flutter of their passage I can
hear their coughing their calling and wheezing even the warm
greased wool rubbing on the worn walls I hear them
passing passing in the hollow lane and there is still time
the shuffle of black shoes of women climbing
stone ledges to church keeps flowing up the dazzling hill
around the grassy rustle of voices
on the far side of a slatted shutter
and the small waves go on whispering on the shingle
in the heat of an hour without wind it is Sunday
none of the sentences begins or ends there is time
again the unbroken rumble of trucks and the hiss
of brakes roll upward out of the avenue
I forget what season they are exploding through
what year the drill on the sidewalk is smashing
it is the year in which you are sitting there as you are
in the morning speaking to me and I hear
you through the burning day and I touch you
to be sure and there is time there is still time
W.S. Merwin
Tilly Losch, ca. 1925
Trude Fleischmann
Orange Sweater, 1955
Elmer Bischoff
My Neighbors, 1929
Emil Armin
Two Women in a Garden, 1888
Camille Pissarro
Woman with an Umbrella at the Seashore, 1905
Henri Matisse
Fête, Paris , 1899Eugène Atget
Red Square Girls, Moscow, 1981
Boris Savelev
Untitled (Ultramarine), 1974
Robert Motherwell
Woman Buttoning Her Shoes, 1915
Egon Schiele
View from a Balcony, 1945
Albert Marquet
Reflection in Oval Mirror, Home Place, 1947
Wright Morris
The Door
When she came suddenly in
It seemed the door could never close again,
Nor even did she close it-she, she-
The room lay open to a visiting sea
Which no door could restrain.
Yet when at last she smiled, tilting her head
To take her leave of me,
Where she had smiled, instead
There was a dark door closing endlessly,
The waves receded.
Robert Graves
Glass Chandelier, 1969
Elmer Bischoff
Untitled (Jane Ninas in Front of Parked Cars in French Quarter, New Orleans, Louisiana), February-March, 1935
Walker Evans
Untitled (Boulevard Corner), 1981
Garry Winogrand
Whitestone Bridge, 1939-40
Ralston Crawford
Room at the Top (1959)
Jack Clayton
Edna St. Vincent Millay, 1914
Arnold Genthe
Yellow Circle, 1921
László Moholy-Nagy
Seville, Spain, 1930
Martin Munkácsi
The Kitchen Sink, 1919
Margaret Watkins
Eleanor, Port Huron, 1942
Eleanor, 1948Harry Callahan
Nude Figure, 1969
Stanley Cosgrove
Barbara, c. 1920s
Barbara Sitting in Chair, c. 1930
Artur Nikodem
Nothing Now Astonishes
A month of vigilance draws to its close
With silence of snow and the Northern lights
In longed-for wordlessness.
This rainbow spanning our two worlds
Becomes more than a bridge between them:
They fade into geography.
Variegated with the seven colours
We twist them into skeins for hide and seek
In a lovers' labyrinth.
Can I be astonished at male trembling
Of sea-horizons as you lean towards them?
Nothing now astonishes.
You change, from a running drop of pure gold
On a silver salver, to the white doe
In nut-groves harbouring.
Let me be changed now to an eight-petalled
Scarlet anemone that will never strain
For the circling butterfly.
Rest, my loud heart. Your too exultant flight
Had raised the wing-beat to a roar
Drowning seraphic whispers.
Robert Graves
Springfield, Massachusetts, 1973
Mitch Epstein
Robson St., 1957
Fred Herzog
Bright Light at Russell's Corners, 1946
George Ault
About the Party
I loved seeing you the other night
(and I think everyone noticed!)
which was the first time I'm estimating
since the Oak Street Psychic Fair
when I first saw your ears
as the two beautiful pink wheels they are
and your powerful boyfriend unnecessarily claimed
that I only spread unhappiness with my harmonica playing.
People see each other all the time
and they can't always figure out how to act,
so it sometimes seems as if the dandelions
growing silently behind the high school
are the only truly outstanding reaction
to existence,
and perhaps because I thought
I had no argument with the world
until the backyard mosquitoes
started penalizing my hands
and Wayne of Wayne's Hair Systems
and Jimmy Food Hill combined
to not let me near you,
it came as such a horrible shock to notice
you looked so damn beautiful
beneath Bob's silver maples
that I about shit my heart out.
David Berman
Frida Kahlo on the Train to Mexico, On Route, 1932
Lucienne Bloch
Pink Cyclamen, ca. 1870s
Fidelia Bridges
Berenice Abbott, New York City, ca. 1930
Walker Evans
Landscape, 1938
Stanley Cosgrove
Portrait de Raymonde Vaseur, ca. 1935-36
Moise Kisling